‘Until the River Winds Ninety Degrees West’, Iraq Pavilion 57th Venice Biennale The installation features 6 images from Hattom’s family album, images from Iraq in the 40s-60s, where she has digitally removed the people and supplemented them with descriptions of what is happening in the image. The texts are based on family memories. Collaged onto landscape […]

Photo series, Berlin Program for Artists Exhibition, 2019 Archival Pigment Print, 110cm x 80cm Four rock formations from Germany’s Externsteine stand in for the figures in family portraits.Two vastly different landscapes float above one another, casting a shadow, separated by both space and time for a look at the present in the context of the […]

Published by the Ruya Foundation: https://ruyafoundation.org/en/2017/03/4625/ Photo courtesy of Nadine Hattom It is said that my grandfather, Ghareeb Jabur Al Saddawi, a silversmith, owned a shop on River Street in Baghdad. And every year, he made the long journey to Egypt to sell his creations. He was so skilled that if you found one of his silver […]

Installation, Braakland Fotomuseum Antwerp, 2017 Archival Pigment Print, Clay, Wood, LED, Battery   On a trip to Amman, Jordan, I photographed the cityscape to inspect the it in my studio on my return. I was captivated by the Amman Pasha Hotel and began to research its history. What I would uncover is a fantastical story of […]

5 Multimedia installations, P21 Gallery, London, 2016 Curated by Rawan Serhan Group art exhibition with Roberto Abuin, Nadine Hattom, Joe Hornby, Marco Pando, Lisa Premke, Rawan Serhan, Eduardo Suarez Seven practitioners from different cultural and professional backgrounds have joined together to explore interconnections of their four mother-tongues: Spanish, Arabic, English and German. Languitecture is inspired […]

Collage, Gesture – Trust in Fiction, Blond&Gilles/Marks Blond Project, Luzern http://www.957.ch/Fiction,_Trust_in_Fiction.html