Press

Financial Times: Through the Lens – Latif Al Ani’s peerless photographs of ancient Iraq

The exhibition heralds the arrival of a generation of Iraqi artists — mostly living abroad — who, in paying homage to the man known as “the father of Iraqi photography”, also reclaim their ancestral civilisation. Nadine Hattom, for example, was born in Baghdad, grew up in Australia and Abu Dhabi, and lives in Berlin. She plays a similar game to Al Ani’s, manipulating figures in a landscape, though she does it digitally instead of issuing instructions like “Stand there” and “Look here”. Unable to travel to Anbar Province, she instead sifted through public domain photos of US military operations there, then edited out the soldiers and left only their shadows. She is performing the same trick he did, serenading her homeland through the ghostly traces of yet another foreign invasion.

Ariella Budick

Elephant Magazine: Venice Biennale: A World Divided

The Art Newspaper: National anthems, national myths, national crises: pick of the Venice Biennale pavilions

Nafas Art Magazine: Nadine Hattom

Ruya Foundation: Nature, landscapes and battlefields: Nadine Hattom’s Shadows on Operation Iraqi Freedom

Deutsche Welle – WorldLink: Marrakech Biennale